25 TIPS FOR SXSW (PART 3 OF 5)
As most of you know the SXSW Music + Film + Interactive Festivals and Conferences are fast approaching. This week, I’m providing you with 5 different daily tips in various areas (lodging, driving, getting around Austin, etc.) that will hopefully help you maximize your trip based on my own personal experiences.
My focus will mainly be on the Music and Media Conferences (March 17-21), but many of my tips and advice will be general enough that you can apply them towards any part of SXSW.
For Monday’s 5 Tips on Lodging click here
For Tuesday’s 5 Tips on Driving to Austin click here
Todays 5 Tips are about Getting Around Austin:
Based on my experiences in Austin, I still think taking cabs is the best way to go (unless you have a personal driver). Taking cabs and not driving around let you avoid the headaches of having to find parking (not to mention having to remember where you parked) and avoiding the possible fender benders that sometimes happen. Here are some tips for getting around:
1. Share Cabs – This is easiest to do when heading to the 6th St. vicinity from your hotel. You will soon learn that most people waiting for a cab have the same destination as you do. If you don’t have a large group of people with you already, you should consider asking some of the other people in the hotel lobby or that are waiting outside if they are heading to 6th St. and might want to share a cab. It’ll save all of you some money and also you might make some new friends or learn of new interesting parties to go to (we definitely did).
2. Get Digits – A good practice to get into is to get the number of the Cab drivers and Ricksha guys if they offer or even if they don’t and you trust them. It’s kind of amazing how much you can learn about a cab driver or rickshaw driver (cyclist?) in a 10 – 15 min. ride. I’m not talking about making a romantic connection, but they might come in handy. Many of these drivers/cyclists work all day and night taking on this job of cab driver only during the weeks of SXSW trying to make as much money as possible in this time frame. You never know, but you may get stuck at a party way out in the middle of nowhere and they could possibly bail you out and get you back to your hotel saving you hours of waiting around for a cab to be sent or one to drive by. As always trust your judgement on whom you ask for this info from.
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25 TIPS FOR SXSW (PART 2 OF 5)
As most of you know the SXSW Music + Film + Interactive Festivals and Conferences are fast approaching. Over the next five days, I’ll provide you with 5 different daily tips in various areas (lodging, driving, getting around Austin, etc.) that will hopefully help you maximize your trip based on my own personal experiences.
As I said yesterday in my first 5 tips, my focus will mainly be on the Music and Media Conferences (March 17-21), but many of my tips and advice will be general enough that you can apply them towards any part of SXSW.
Todays 5 Tips are for those Driving to Austin
For some the drive to Texas has been planned for quite some time. Others may have procrastinated and may decide in the next few days that they are going to head down there without much of a game plan.
I think everyone should make the drive through Texas at least once. It should be a mandatory rite of passage necessary prior to being allowed to proceed with any further road trips. 80% percent of the drive you’ll have that “glazed over” look with no hope of distractions from your barren country route. However, Texas has some of the best cities (in my opinion) to make a quick getaway to at least once every few years, and Austin tops the list (I’ve always said that if I ever decided to move away from LA and Orange Counties, Austin would probably be my top choice of new city to reside in).
I’ve made this specific drive to Austin, specifically for SXSW twice as an adult (ok, ok …I’ll confess not by myself and one time I didn’t even drive but you get the point, right?), and a few other times on family trips as a child/teenager.
Don’t complain about the lack of scenery, instead take advantage of it. If you have co-pilots that will be sharing driving duties you can use this time to get some sleep, given the fact that you probably will not be getting any for the next 4 days (or however long you’re there for).
Anyhow before I start to ramble any more than I already have here are the 5 Tips for those you who have decided to drive (whether you are in a band or not)
1. Directions – If your car doesn’t have a navigation system (and even if it does) don’t forget to bring the directions, a Thomas Guide, or at least map (one that has (California, Arizona, New Mexico, and Texas would probably be more helpful than that decorative one you have of Paris that hangs on your wall). Don’t count on your phones to bail you out as sometimes those 3Gs and 4Gs aren’t as reliable as the OGs at the gas stations that give you directions.
Common sense right? Well let me just tell you, that one year due to printing of misc. last minute items (Party RSVPs, directions to hotels and parties, lists of shows we wanted to check out, etc) we completely forgot to bring directions to Austin from Los Angeles with us and if my memory serves me correctly we did not have maps with us. So we had to call a friend and ask her to send us directions to Austin via text/email. She of course was more than amused, finding it to be the most hilarious thing she’d ever heard. I wasn’t worried for one, as I have a photographic memory and had taken a quick glance at the directions and knew that we had to jump on the 10 East and drive for about 12-15 hours through Arizona, New Mexico, and into Texas on it. So we had plenty of time to get someone to give us directions, but after the 10 we had no idea what to do. So don’t start your trip with this stress and remember to take the directions or a map with you.
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DELTRON 3030 RECOMMENDED: ROBOTANISTS – ‘SHAPES AND VARIATIONS’
It’s a well known fact that I’m a cover song whore. I might be the only person in LA that has all of the Johnny Cash American Recordings, all of the Me First and The Gimme CDs, and this week insisted on purchasing Scratch My Back, the new Peter Gabriel CD. Yes it is true that I haven’t listened to a Peter Gabriel CD since Lloyd Dobler lifted a moderately sized boombox with cartoonish supersonic range to win back the love of Diane Court, but if he’s putting out an album’s worth of covers then I’m putty in his hands. Digging into the tracks I have to say it is a bit lacking. That’s not to say that the choices are uninspired because that couldn’t be further from the case. Gabriel chose some amazing songs from such favorites as Bon Iver (”Flume”), The Arcade Fire (”My Body is a Cage”), and The Magnetic Fields (”The Book of Love”). It’s the approach that was taken that bothers me. In stripping away the drums and the guitars, Gabriel turned these songs into self serving flat whisperfests with nothing behind them. There’s no heart. No soul. What Gabriel must not have understood is that the science of a good cover is to take the opportunity to honor the source material while completely re-inventing it, making it your own in a way that people will recognize its source but, if done properly, they’ll appreciate it more than the original. It is a tough feat, but a goal that one should aspire to. This approach has worked in the past as a launching pad for people like Gary Jules (”Mad World”), Jeff Buckley (”Hallelujah”), and Cat Power (”I Found a Reason”). By leaving the heart of these tracks in place and giving them a makeover these artists forever took ownership of the songs. Trent Reznor himself will tell you that “Hurt” now belongs to Johnny Cash forever. I doubt Thom Yorke will be saying that about Peter Gabriel’s spin on “Street Spirit”.
Clearly I’m bitter for wasting the money.
Worry not my loyal readers. My sad feelings quickly subsided when I was sent an advance copy of LA’s own Robotanists’ forthcoming EP Shapes and Variations. Where Peter Gabriel failed, the Robotanists succeed. Like I said earlier it is very rare when a cover song surpasses the original. Amazingly enough on their upcoming EP the Robotanists manage to pull off this trick seven times. Seven times they reinvent a popular song. Seven times they take ownership of the covered material. I hate to give someone overflowing credit, but not only do they take ownership but they do it with songs that are part of the popular zeitgeist. It’s as if they shouted out “Hey Gabriel, it’s one thing to cover Bon Iver’s “Flume” but try covering Jay Z’s “Empire State of Mind.” It takes balls to do that..and balls are what the Roboantists have. Balls and beautiful lead vocals. Judging from the songs selected (”Empire State,” “Are You Really Going Out With Him,” “Dance Dance Dance,” “Heaven”) one would think that the band was challenged to make the most overplayed songs listen-able again. They rose to the challenge and then some. (more…)
25 TIPS FOR SXSW (PART 1 OF 5)
As most of you know the SXSW Music + Film + Interactive Festivals and Conferences are fast approaching. Over the next five days, I’ll provide you with 5 different daily tips in various areas (lodging, driving, getting around Austin, etc.) that will hopefully help you maximize your trip based on my own personal experiences.
My focus will mainly be on the Music and Media Conferences (March 17-21), but many of my tips and advice will be general enough that you can apply them towards any part of SXSW as I’ve learned a lot from what used to be my almost ritualistic annual escapades of drinking Shiner Bock (actually I prefer Blonde), eating not enough BBQ, and trying to make it to too many music shows and parties over the course of nearly a week in Austin.
Because many of you might be scrambling around trying to book last minute hotel rooms, I’ll start off with these 5 Lodging Tips.
1. Pick a hotel, Any hotel
You may want the Driskill, but realistically unless someone else is footing the bill and you pretty much have standing reservations you probably won’t be staying there. Sure the Gayot 4 key winning Intercontinental, Omni, and Hilton Hotels are where you might see some of the more established acts and keynote speakers staying, but you probably won’t end up there either. The 4th Street hotels (Four Seasons, Radisson, and the other Hilton) make up the rest of the prime walk to EVERYTHING located hotels however, if you wanted to stay there you should’ve booked your hotel rooms at least six months ago (and even then they might not have had the availability). (more…)
DELTRON 3030 RECOMMENDED: Johnny Cash American VI – Ain’t No Grave
Way back in the stone age that was 1994, people had to borrow cds from each other if they wanted to sample new music. If something really struck you then you’d grab a cassette and make a copy. Taping off the radio was just too annoying and none of the deeper cuts ever got played. It all seems weird to me now but that was the world we lived in. CD exchanges were the precursor to Napster, Limewire and bit torrents. The only problem was you’d run the risk of a never getting your CD back. Sure there was a code of honor with these deals but if the other person fell hard for your album they’d use classic snail tactics to keep the cd in their possession a bit longer. I did this with U2’s Zooropa. I know I know it sound’s crazy. I’m not one to give U2 too much credit around these parts but if not for them I’d never have learned of Johnny Cash. You see back then when U2 was sucking on a completely different level then they are now (ex: Numb, Lemon, their PopMart tour) they closed out their Zooropa album with a synth bass driven song about a man’s search for God in the post-apocalyptic future that shook me to my core. In place of of Bono’s preachy falsetto there was a vocalist with a death welcoming bass baritone who kind of scared me. I’d never heard anything like it. Thanks to that one guest spot on The Wanderer I held on to that CD and never asked for my copy of Urge Overkill’s Saturation back.
Shortly after Zooropa Cash was dropped by his record label and was reborn under the guiding hand of super producer Rick Rubin. Together they released the American Recordings series – a series of cover albums (peppered with some original Cash tracks – stand out “”When the Man Comes Around“) that would vault him into the mainstream and establish a whole new generation of followers who would eventually refer to him as “That guy from that Joaquin Phoenix movie.”
Looking to reclaim his legacy seven years after his death the “Man in Black” has pulled a 2Pac and released his second posthumous album. This collection of covers doesn’t have the star wattage of previous American Recordings…but it doesn’t need it. Recorded on his death bed, Cash managed to squeeze all sorts of otherworldly vibes out of the selected offerings. He even manages to make Sheryl Crow sound down right biblical. The tone of the album is very “un-man in black,” and is a nice contrast to the lasting image everyone has of him– the painful death soaked cover of Nine Inch Nails’ “Hurt”. Compared to that track, this album is downright joyful. Speaking of “Hurt,” many a person will tell you that it is the best cover track from the American Recordings. I disagree. As a lover of both lists and covers, I give you the top 5 Johnny Cash covers to have appeared on the American Recordings.
Click to play.
5. “Redemption Day”
4. “One”
3 “Solitary Man”
2 “Hurt”
1 “I See a Darkness”
Highlights: “Redemption Day,” “Ain’t No Grave,” “Can’t Help But Wonder Where I’m Bound,” “Cool Water”
Honey, Honey: Re-Discovering the Sunset Strip – Viper Room, Trip One
Re-Experience. Here’s a brief quote about me in the intraffik.com contributors section: “. . . you’ll occasionally see him at music venues across Los Angeles – from Mr. T’s to The Key Club and various in between locations.” It occurred to me that I’ve given a lot of love to North-East Los Angeles recently. Now this is mainly driven by the fact that I live near the music venues in this area and so it is just easier for me to see bands at Spaceland versus say The Key Club. To provide some proof, here’s my column “What I Listened to in February” with venues assigned:
Seamonsters: Silverlake Lounge
Venus Illuminato: Silverlake Lounge
The Muddy Reds: Silverlake Lounge
Rich Podgur: Kibitz – the farthest west of the bunch
Open Hand: Spaceland
Year Long Disaster: Spaceland
Obi Best: Spaceland
Eastern Conference Champions: Spaceland
Asa Ransom: Spaceland
Hockey: Spaceland
My January list has a broader music venue scope, but it also has a high focus on bands playing in North-East Los Angeles. Kibitz was once again the farthest west I got. There was also Club Moscow at Boardners (Hollywood) and Fox and Hounds (Studio City), but then North-East Los Angeles popped up with regularity: Spaceland, El Cid, Echo Curio and the Bootleg Theatre.
Do you see where I’m going? It was time to head to the Sunset Strip.
Three years ago, I was heading to the Sunset Strip on a monthly basis. Those trips started to dwindle over the years, but recently I found myself there three times in a period of a week.
First Trip to the Sunset Strip. Viper Room
Off to see Honey Honey. (more…)